"Let us leave it there," she said, "and forget it--and all that has gone before. Believe me," she added, with a faint sigh, "it is best. Our paths diverge from this moment. I go to the summer-house, and you go to the Hall, where my father is expecting you."
He would have detained her a moment longer, but she glided away and was gone.
Left to himself again, that slight sense of bewilderment which had clouded his mind for the last hour began to clear away; his singular encounter with the girls strangely enough affected him less strongly than his brief and unsatisfactory interview with his uncle. For, after all, he was his host, and upon him depended his stay at Hawthorn Hall. The mysterious and slighting allusions of his cousins to the old man's eccentricities also piqued his curiosity. Why had they sneered at his description of the contents of the package he carried--and what did it really contain? He did not reflect that it was none of his business,--people in his situation seldom do,--and he eagerly hurried towards the Hall.
But he found in his preoccupation he had taken the wrong turning in the path, and that he was now close to the wall which bounded and overlooked the highway. Here a singular spectacle presented itself. A cyclist covered with dust was seated in the middle of the road, trying to restore circulation to his bruised and injured leg by chafing it with his hands, while beside him lay his damaged bicycle. He had evidently met with an accident. In an instant Paul had climbed the wall and was at his side.
"Can I offer you any assistance?" he asked eagerly.
"Thanks--no! I've come a beastly cropper over something or other on this road, and I'm only bruised, though the machine has suffered worse," replied the stranger, in a fresh, cheery voice. He was a good-looking fellow of about Paul's own age, and the young American's heart went out towards him.
"How did it happen?" asked Paul.
"That's what puzzles me," said the stranger. "I was getting out of the way of a queer old chap in the road, and I ran over something that seemed only an old scroll of paper; but the shock was so great that I was thrown, and I fancy I was for a few moments unconscious.
Yet I cannot see any other obstruction in the road, and there's only that bit of paper." He pointed to the paper,--a half-crushed roll of ordinary foolscap, showing the mark of the bicycle upon it.
A strange idea came into Paul's mind. He picked up the paper and examined it closely. Besides the mark already indicated, it showed two sharp creases about nine inches long, and another exactly at the point of the impact of the bicycle. Taking a folded two-foot rule from his pocket, he carefully measured these parallel creases and made an exhaustive geometrical calculation with his pencil on the paper. The stranger watched him with awed and admiring interest. Rising, he again carefully examined the road, and was finally rewarded by the discovery of a sharp indentation in the dust, which, on measurement and comparison with the creases in the paper and the calculations he had just made, proved to be identical.
"There was a solid body in that paper," said Paul quietly; "a parallelogram exactly nine inches long and three wide."
"I say! you're wonderfully clever, don't you know," said the stranger, with unaffected wonder. "I see it all--a brick."
Paul smiled gently and shook his head. "That is the hasty inference of an inexperienced observer. You will observe at the point of impact of your wheel the parallel crease is CURVED, as from the yielding of the resisting substances, and not BROKEN, as it would be by the crumbling of a brick."
"I say, you're awfully detective, don't you know! just like that fellow--what's his name?" said the stranger admiringly.
The words recalled Paul to himself. Why was he acting like a detective? and what was he seeking to discover? Nevertheless, he felt impelled to continue. "And that queer old chap whom you met--why didn't he help you?"
"Because I passed him before I ran into the--the parallelogram, and I suppose he didn't know what happened behind him?"
"Did he have anything in his hand?"
"Can't say."
"And you say you were unconscious afterwards?"
"Yes!"
"Long enough for the culprit to remove the principal evidence of his crime?"
"Come! I say, really you are--you know you are!"
"Have you any secret enemy?"
"No."
"And you don't know Mr. Bunker, the man who owns this vast estate?"
"Not at all. I'm from Upper Tooting."
"Good afternoon," said Paul abruptly, and turned away.
It struck him afterwards that his action might have seemed uncivil, and even inhuman, to the bruised cyclist, who could hardly walk.
But it was getting late, and he was still far from the Hall, which, oddly enough, seemed to be no longer visible from the road. He wandered on for some time, half convinced that he had passed the lodge gates, yet hoping to find some other entrance to the domain.
Dusk was falling; the rounded outlines of the park trees beyond the wall were solid masses of shadow. The full moon, presently rising, restored them again to symmetry, and at last he, to his relief, came upon the massive gateway. Two lions ramped in stone on the side pillars. He thought it strange that he had not noticed the gateway on his previous entrance, but he remembered that he was fully preoccupied with the advancing figure of his uncle. In a few minutes the Hall itself appeared, and here again he was surprised that he had overlooked before its noble proportions and picturesque outline. Its broad terraces, dazzlingly white in the moonlight; its long line of mullioned windows, suffused with a warm red glow from within, made it look like part of a wintry landscape--and suggested a Christmas card. The venerable ivy that hid the ravages time had made in its walls looked like black carving. His heart swelled with strange emotions as he gazed at his ancestral hall.
