And the sword, in battle, singing, sings not so sweet a song as the woman sings to man merely by her laugh in the moonlight, or her love-sob in the dark, or by her swaying on her way under the sun while he lies dizzy with longing in the grass.
I have died of love. I have died for love, as you shall see. In a little while they will take me out, me, Darrell Standing, and make me die. And that death shall be for love. Oh, not lightly was Istirred when I slew Professor Haskell in the laboratory at the University of California. He was a man. I was a man. And there was a woman beautiful. Do you understand? She was a woman and Iwas a man and a lover, and all the heredity of love was mine up from the black and squalling jungle ere love was love and man was man.
Oh, ay, it is nothing new. Often, often, in that long past have Igiven life and honour, place and power for love. Man is different from woman. She is close to the immediate and knows only the need of instant things. We know honour above her honour, and pride beyond her wildest guess of pride. Our eyes are far-visioned for star-gazing, while her eyes see no farther than the solid earth beneath her feet, the lover's breast upon her breast, the infant lusty in the hollow of her arm. And yet, such is our alchemy compounded of the ages, woman works magic in our dreams and in our veins, so that more than dreams and far visions and the blood of life itself is woman to us, who, as lovers truly say, is more than all the world. Yet is this just, else would man not be man, the fighter and the conqueror, treading his red way on the face of all other and lesser life--for, had man not been the lover, the royal lover, he could never have become the kingly fighter. We fight best, and die best, and live best, for what we love.
I am that one man. I see myself the many selves that have gone into the constituting of me. And ever I see the woman, the many women, who have made me and undone me, who have loved me and whom I have loved.
I remember, oh, long ago when human kind was very young, that I made me a snare and a pit with a pointed stake upthrust in the middle thereof, for the taking of Sabre-Tooth. Sabre-Tooth, long-fanged and long-haired, was the chiefest peril to us of the squatting place, who crouched through the nights over our fires and by day increased the growing shell-bank beneath us by the clams we dug and devoured from the salt mud-flats beside us.
And when the roar and the squall of Sabre-Tooth roused us where we squatted by our dying embers, and I was wild with far vision of the proof of the pit and the stake, it was the woman, arms about me, leg-twining, who fought with me and restrained me not to go out through the dark to my desire. She was part-clad, for warmth only, in skins of animals, mangy and fireburnt, that I had slain; she was swart and dirty with camp smoke, unwashed since the spring rains, with nails gnarled and broken, and hands that were calloused like footpads and were more like claws than like hands; but her eyes were blue as the summer sky is, as the deep sea is, and there was that in her eyes, and in her clasped arms about me, and in her heart beating against mine, that withheld me . . . though through the dark until dawn, while Sabre-Tooth squalled his wrath and his agony, I could hear my comrades snickering and sniggling to their women in that Ihad not the faith in my emprise and invention to venture through the night to the pit and the stake I had devised for the undoing of Sabre-Tooth. But my woman, my savage mate held me, savage that Iwas, and her eyes drew me, and her arms chained me, and her twining legs and heart beating to mine seduced me from my far dream of things, my man's achievement, the goal beyond goals, the taking and the slaying of Sabre-Tooth on the stake in the pit.
Once I wan Ushu, the archer. I remember it well. For I was lost from my own people, through the great forest, till I emerged on the flat lands and grass lands, and was taken in by a strange people, kin in that their skin was white, their hair yellow, their speech not too remote from mine. And she was Igar, and I drew her as Isang in the twilight, for she was destined a race-mother, and she was broad-built and full-dugged, and she could not but draw to the man heavy-muscled, deep-chested, who sang of his prowess in man-slaying and in meat-getting, and so, promised food and protection to her in her weakness whilst she mothered the seed that was to hunt the meat and live after her.
And these people knew not the wisdom of my people, in that they snared and pitted their meat and in battle used clubs and stone throwing-sticks and were unaware of the virtues of arrows swift-flying, notched on the end to fit the thong of deer-sinew, well-twisted, that sprang into straightness when released to the spring of the ask-stick bent in the middle.
And while I sang, the stranger men laughed in the twilight. And only she, Igar, believed and had faith in me. I took her alone to the hunting, where the deer sought the water-hole. And my bow twanged and sang in the covert, and the deer fell fast-stricken, and the warm meat was sweet to us, and she was mine there by the water-hole.
And because of Igar I remained with the strange men. And I taught them the ****** of bows from the red and sweet-smelling wood like unto cedar. And I taught them to keep both eyes open, and to aim with the left eye, and to make blunt shafts for small game, and pronged shafts of bone for the fish in the clear water, and to flake arrow-heads from obsidian for the deer and the wild horse, the elk and old Sabre-Tooth. But the flaking of stone they laughed at, till I shot an elk through and through, the flaked stone standing out and beyond, the feathered shaft sunk in its vitals, the whole tribe applauding.
