We were sitting together in a very quiet way over our teacups. The young Doctor, who was in the best of spirits, had been laughing and chatting with the two Annexes. The Tutor, who always sits next to Number Five of late, had been conversing with her in rather low tones. The rest of us had been soberly sipping our tea, and when the Doctor and the Annexes stopped talking there was one of those dead silences which are sometimes so hard to break in upon, and so awkward while they last. All at once Number Seven exploded in a loud laugh, which startled everybody at the table.
What is it that sets you laughing so? said I.
"I was thinking," Number Seven replied, "of what you said the other day of poetry being only the ashes of emotion. I believe that some people are disposed to dispute the proposition. I have been putting your doctrine to the test. In doing it I made some rhymes,--the first and only ones I ever made. I will suppose a case of very exciting emotion, and see whether it would probably take the form of poetry or prose. You are suddenly informed that your house is on fire, and have to scramble out of it, without stopping to tie your neck-cloth neatly or to put a flower in your buttonhole. Do you think a poet turning out in his night-dress, and looking on while the flames were swallowing his home and all its contents, would express himself in this style?
My house is on fire!
Bring me my lyre!
Like the flames that rise heavenward my song shall aspire!
He would n't do any such thing, and you know he wouldn't. He would yell Fire! Fire! with all his might. Not much rhyming for him just yet! Wait until the fire is put out, and he has had time to look at the charred timbers and the ashes of his home, and in the course of a week he may possibly spin a few rhymes about it. Or suppose he was ****** an offer of his hand and heart, do you think he would declaim a versified proposal to his Amanda, or perhaps write an impromptu on the back of his hat while he knelt before her?
My beloved, to you I will always be true.
Oh, pray make me happy, my love, do! do! do!
What would Amanda think of a suitor who courted her with a rhyming dictionary in his pocket to help him make love?"
You are right, said I,--there's nothing in the world like rhymes to cool off a man's passion. You look at a blacksmith working on a bit of iron or steel. Bright enough it looked while it was on the hearth, in the midst of the sea-coal, the great bellows blowing away, and the rod or the horse-shoe as red or as white as the burning coals. How it fizzes as it goes into the trough of water, and how suddenly all the glow is gone! It looks black and cold enough now.
Just so with your passionate incandescence. It is all well while it burns and scintillates in your emotional centres, without articulate and connected expression; but the minute you plunge it into the rhyme-trough it cools down, and becomes as dead and dull as the cold horse-shoe. It is true that if you lay it cold on the anvil and hammer away on it for a while it warms up somewhat. Just so with the rhyming fellow,--he pounds away on his verses and they warm up a little. But don't let him think that this afterglow of composition is the same thing as the original passion. That found expression in a few oh, oh's, eheu's, helas, helas's, and when the passion had burned itself out you got the rhymed verses, which, as I have said, are its ashes.
I thanked Number Seven for his poetical illustration of my thesis.
There is great good to be got out of a squinting brain, if one only knows how to profit by it. We see only one side of the moon, you know, but a fellow with a squinting brain seems now and then to get a peep at the other side. I speak metaphorically. He takes new and startling views of things we have always looked at in one particular aspect. There is a rule invariably to be observed with one of this class of intelligences: Never contradict a man with a squinting brain. I say a man, because I do not think that squinting brains are nearly so common in women as they are in men. The "eccentrics" are, I think, for the most part of the male ***.
That leads me to say that persons with a strong instinctive tendency to contradiction are apt to become unprofitable companions. Our thoughts are plants that never flourish in inhospitable soils or chilling atmospheres. They are all started under glass, so to speak; that is, sheltered and fostered in our own warm and sunny consciousness. They must expect some rough treatment when we lift the sash from the frame and let the outside elements in upon them.
They can bear the rain and the breezes, and be all the better for them; but perpetual contradiction is a pelting hailstorm, which spoils their growth and tends to kill them out altogether.
Now stop and consider a moment. Are not almost all brains a little wanting in bilateral symmetry? Do you not find in persons whom you love, whom you esteem, and even admire, some marks of obliquity in mental vision? Are there not some subjects in looking at which it seems to you impossible that they should ever see straight? Are there not moods in which it seems to you that they are disposed to see all things out of plumb and in false relations with each other?
If you answer these questions in the affirmative, then you will be glad of a hint as to the method of dealing with your friends who have a touch of cerebral strabismus, or are liable to occasional paroxysms of perversity. Let them have their head. Get them talking on subjects that interest them. As a rule, nothing is more likely to serve this purpose than letting them talk about themselves; if authors, about their writings; if artists, about their pictures or statues; and generally on whatever they have most pride in and think most of their own relations with.
