登陆注册
37805000000012

第12章 AN EDITOR(2)

I wrote and asked the editor if I should come to London, and he said No, so I went, laden with charges from my mother to walk in the middle of the street (they jump out on you as you are turning a corner), never to venture forth after sunset, and always to lock up everything (I who could never lock up anything, except my heart in company). Thanks to this editor, for the others would have nothing to say to me though I battered on all their doors, she was soon able to sleep at nights without the dread that I should be waking presently with the iron-work of certain seats figured on my person, and what relieved her very much was that I had begun to write as if Auld Lichts were not the only people I knew of. So long as I confined myself to them she had a haunting fear that, even though the editor remained blind to his best interests, something would one day go crack within me (as the mainspring of a watch breaks) and my pen refuse to write for evermore. 'Ay, I like the article brawly,' she would say timidly, 'but I'm doubting it's the last - I always have a sort of terror the new one may be the last,' and if many days elapsed before the arrival of another article her face would say mournfully, 'The blow has fallen - he can think of nothing more to write about.' If I ever shared her fears I never told her so, and the articles that were not Scotch grew in number until there were hundreds of them, all carefully preserved by her: they were the only thing in the house that, having served one purpose, she did not convert into something else, yet they could give her uneasy moments. This was because I nearly always assumed a character when I wrote; I must be a country squire, or an undergraduate, or a butler, or a member of the House of Lords, or a dowager, or a lady called Sweet Seventeen, or an engineer in India, else was my pen clogged, and though this gave my mother certain fearful joys, causing her to laugh unexpectedly (so far as my articles were concerned she nearly always laughed in the wrong place), it also scared her. Much to her amusement the editor continued to prefer the Auld Licht papers, however, as was proved (to those who knew him) by his way of thinking that the others would pass as they were, while he sent these back and asked me to make them better. Here again she came to my aid. I had said that the row of stockings were hung on a string by the fire, which was a recollection of my own, but she could tell me whether they were hung upside down. She became quite skilful at sending or giving me (for now I could be with her half the year) the right details, but still she smiled at the editor, and in her gay moods she would say, 'I was fifteen when I got my first pair of elastic-sided boots.

Tell him my charge for this important news is two pounds ten.'

'Ay, but though we're doing well, it's no' the same as if they were a book with your name on it.' So the ambitious woman would say with a sigh, and I did my best to turn the Auld Licht sketches into a book with my name on it. Then perhaps we understood most fully how good a friend our editor had been, for just as I had been able to find no well-known magazine - and I think I tried all - which would print any article or story about the poor of my native land, so now the publishers, Scotch and English, refused to accept the book as a gift. I was willing to present it to them, but they would have it in no guise; there seemed to be a blight on everything that was Scotch. I daresay we sighed, but never were collaborators more prepared for rejection, and though my mother might look wistfully at the scorned manu at times and murmur, 'You poor cold little crittur shut away in a drawer, are you dead or just sleeping?' she had still her editor to say grace over. And at last publishers, sufficiently daring and far more than sufficiently generous, were found for us by a dear friend, who made one woman very 'uplifted.' He also was an editor, and had as large a part in ****** me a writer of books as the other in determining what the books should be about.

Now that I was an author I must get into a club. But you should have heard my mother on clubs! She knew of none save those to which you subscribe a pittance weekly in anticipation of rainy days, and the London clubs were her scorn. Often I heard her on them - she raised her voice to make me hear, whichever room I might be in, and it was when she was sarcastic that I skulked the most:

同类推荐
热门推荐
  • 关键期关键帮助

    关键期关键帮助

    芭学园创始人李跃儿用近30年实践成果和父母分享如何捕捉孩子的敏感期,用爱和自由给予孩子最有效的帮助。这是第一次系统深入地揭示07岁孩子敏感期这一生命现象,它就像一把金钥匙,引领读者了解儿童成长的规律,破解儿童内心的秘密。了解了关键期,你就了解了你的孩子,打开一扇通往儿童心理世界的奥秘之门,为成人打捞失去的童年,想起曾经渴望的自己。
  • 农村文化娱乐常识——书法

    农村文化娱乐常识——书法

    文化,天地万物(包括人)的信息的产生融汇渗透(的过程)。是以精神文明为导向的融汇、渗透。文化,是精神文明的保障和导向。娱乐可被看作是一种通过表现喜怒哀乐或自己和他人的技巧而使与受者喜悦,并带有一定启发性的活动。很显然,这种定义是广泛的,它包含了悲喜剧、各种比赛和游戏、音乐舞蹈表演和欣赏等等。
  • 修仙古帝

    修仙古帝

    无敌仙尊龙傲天,因雷劫重生,此生如何?会回到以前的实力吗
  • 末世无限进化

    末世无限进化

    血腥,暴力,冷血,残酷。充斥这个世界,弱肉强食,强者生存,强者决定规则
  • 雪

    温亚军,现为北京武警总部某文学杂志主编。著有长篇小说伪生活等六部,小说集硬雪、驮水的日子等七部。获第三届鲁迅文学奖,第十一届庄重文文学奖,《小说选刊》《中国作家》和《上海文学》等刊物奖,入选中国小说学会排行榜。中国作家协会会员。
  • 花颜半夏

    花颜半夏

    原以为此生定无人能在她平寂的心湖撩起涟漪,可是他的出现宛若一块巨石,惊起了波澜,从第一眼起就在心底掀起了炽烈的缱绻爱恋,无奈天意弄人,难道他们之间只存在这种嗜心仇恋?明明该恨她的,可是一向清寒的心却独为揪紧。在他好不容易弄清自己的心意的时候,她该死的居然给我出逃?!说好要拿一生相陪的……这个小女人的小脑袋瓜里到底在想些什么?哼,言而无信的小逃妻,我无忧谷主定将你手到擒来。
  • 全职护美高手

    全职护美高手

    七煞、贪狼、破军现世,天下必将大乱?我拥有紫微命格,天生帝王之相,就必须当带头大哥?关我屁事!作为花楼之主,哥只想做个安静的美男子,护护花、踩踩草、逍遥快活而已……PS:这是一个不断被扑倒的故事!
  • 绿色奔流

    绿色奔流

    天灰暗,空气污浊,身边全是二手烟和刺鼻的气味!痛苦吧?跟我来,一起去创造绿色生态人文环境!当绿色意识觉醒并在人们心中奔流,这世界将变成我们梦寐以求的模样!
  • 超级打车系统

    超级打车系统

    毕业后失业的杨明,用全部家当买了辆二手奥拓,准备跑私车赚钱,怎料,被告知嘟嘟打车注册用户车型至少十万元!杨明哭了!心灰意冷下载了一款超级打车的软件,没想到的是,这款软件的用户,竟然不止现实中的人,还有小说游戏中的人物!从此杨明开始了遨游异界,牛逼都市的生活;小姑娘,不要哭,告诉哥哥你家住在哪好吗?喔,你叫小龙女,家住终南山活死人墓,哥哥这就送你回家!……看着眼前十几岁的激萌小萝莉,杨明笑了。
  • 人人有仙练

    人人有仙练

    我叫林天赐,在这里我想讲一个关于自己的故事。