登陆注册
34945600000003

第3章 APPENDIX I.(3)

The Menexenus or Funeral Oration is cited by Aristotle, and is interesting as supplying an example of the manner in which the orators praised 'the Athenians among the Athenians,' falsifying persons and dates, and casting a veil over the gloomier events of Athenian history. It exhibits an acquaintance with the funeral oration of Thucydides, and was, perhaps, intended to rival that great work. If genuine, the proper place of the Menexenus would be at the end of the Phaedrus. The satirical opening and the concluding words bear a great resemblance to the earlier dialogues; the oration itself is professedly a mimetic work, like the speeches in the Phaedrus, and cannot therefore be tested by a comparison of the other writings of Plato. The funeral oration of Pericles is expressly mentioned in the Phaedrus, and this may have suggested the subject, in the same manner that the Cleitophon appears to be suggested by the slight mention of Cleitophon and his attachment to Thrasymachus in the Republic; and the Theages by the mention of Theages in the Apology and Republic; or as the Second Alcibiades seems to be founded upon the text of Xenophon, Mem. Asimilar taste for parody appears not only in the Phaedrus, but in the Protagoras, in the Symposium, and to a certain extent in the Parmenides.

To these two doubtful writings of Plato I have added the First Alcibiades, which, of all the disputed dialogues of Plato, has the greatest merit, and is somewhat longer than any of them, though not verified by the testimony of Aristotle, and in many respects at variance with the Symposium in the description of the relations of Socrates and Alcibiades. Like the Lesser Hippias and the Menexenus, it is to be compared to the earlier writings of Plato. The motive of the piece may, perhaps, be found in that passage of the Symposium in which Alcibiades describes himself as self-convicted by the words of Socrates. For the disparaging manner in which Schleiermacher has spoken of this dialogue there seems to be no sufficient foundation. At the same time, the lesson imparted is ******, and the irony more transparent than in the undoubted dialogues of Plato. We know, too, that Alcibiades was a favourite thesis, and that at least five or six dialogues bearing this name passed current in antiquity, and are attributed to contemporaries of Socrates and Plato. (1) In the entire absence of real external evidence (for the catalogues of the Alexandrian librarians cannot be regarded as trustworthy); and (2) in the absence of the highest marks either of poetical or philosophical excellence; and (3) considering that we have express testimony to the existence of contemporary writings bearing the name of Alcibiades, we are compelled to suspend our judgment on the genuineness of the extant dialogue.

Neither at this point, nor at any other, do we propose to draw an absolute line of demarcation between genuine and spurious writings of Plato. They fade off imperceptibly from one class to another. There may have been degrees of genuineness in the dialogues themselves, as there are certainly degrees of evidence by which they are supported. The traditions of the oral discourses both of Socrates and Plato may have formed the basis of semi-Platonic writings; some of them may be of the same mixed character which is apparent in Aristotle and Hippocrates, although the form of them is different. But the writings of Plato, unlike the writings of Aristotle, seem never to have been confused with the writings of his disciples: this was probably due to their definite form, and to their inimitable excellence. The three dialogues which we have offered in the Appendix to the criticism of the reader may be partly spurious and partly genuine; they may be altogether spurious;--that is an alternative which must be frankly admitted. Nor can we maintain of some other dialogues, such as the Parmenides, and the Sophist, and Politicus, that no considerable objection can be urged against them, though greatly overbalanced by the weight (chiefly) of internal evidence in their favour. Nor, on the other hand, can we exclude a bare possibility that some dialogues which are usually rejected, such as the Greater Hippias and the Cleitophon, may be genuine.

The nature and object of these semi-Platonic writings require more careful study and more comparison of them with one another, and with forged writings in general, than they have yet received, before we can finally decide on their character. We do not consider them all as genuine until they can be proved to be spurious, as is often maintained and still more often implied in this and similar discussions; but should say of some of them, that their genuineness is neither proven nor disproven until further evidence about them can be adduced. And we are as confident that the Epistles are spurious, as that the Republic, the Timaeus, and the Laws are genuine.

On the whole, not a twentieth part of the writings which pass under the name of Plato, if we exclude the works rejected by the ancients themselves and two or three other plausible inventions, can be fairly doubted by those who are willing to allow that a considerable change and growth may have taken place in his philosophy (see above). That twentieth debatable portion scarcely in any degree affects our judgment of Plato, either as a thinker or a writer, and though suggesting some interesting questions to the scholar and critic, is of little importance to the general reader.

MENEXENUS

byPlato (see Appendix I above)

Translated by Benjamin Jowett

同类推荐
  • 谕对录

    谕对录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 新书

    新书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 六十种曲四贤记

    六十种曲四贤记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • The Importance of Being Earnest

    The Importance of Being Earnest

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 雷霆玉枢宥罪法忏

    雷霆玉枢宥罪法忏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 快穿之宿主爱种田

    快穿之宿主爱种田

    系统110是一个十分自律的人,从第一任宿主到第八任宿主,从未出现一点差错。是系统里出名的拼命三郎,直到遇到了唐迟白这个爱种田的祸害。“唐迟白,我们是逆袭,不是让你种田!”“唐迟白,你怎么和那一个个搞研究的混在一起了!”“唐迟白,这又是啥!”“唐迟白,你是猪吗?”看着气的直跺脚的男人,唐迟白无辜的笑了笑,小声逼逼“我怎么了嘛,不就是种个田吗?还有你不是同意了吗?”CP唐迟白和系统先说一下,如果有buy请勿纠结作者小白,玻璃心,不喜欢走就好了,不要刷存在感。
  • 我可能智商不在线

    我可能智商不在线

    扎心而死的苏扬终究脱离不了穿越的命运,穿越了也脱离不了作者君的套路!这是一场已经注定结局的异界之旅。但是苏扬一看这本书的名字,知道自己的机会来了……因为此书风格问题,所以许多场景极度引起人的……舒适感!不走玄幻寻常路,走反套路,融入一些现代因素,主体依旧以想象虚拟世界为主!开始即是巅峰,我却甘愿沉沦于平凡……
  • 乱世蝴蝶恨

    乱世蝴蝶恨

    一场战争,烽烟四起;家国天下,殇情似水。世事如此,谁之过?一切尽在无言中。看似浮光掠影,实为权谋智计。你不虞,怎知我诈?我若无诈又怎知你无虞?如此缠绵绞织,何日是个尽头?即使刀光不闪,但剑影暗生;虽有痴情无悔,可人间有积怨!等白头,一场梦幻冷人心。哎,哎,哎,纵有悬壶济世,生死情侣又如何能逍遥世外,不争,不怒,不恨,不怨……
  • 对空火炮科技知识(上)(最让青少年惊叹的弹药火炮科技)

    对空火炮科技知识(上)(最让青少年惊叹的弹药火炮科技)

    全面介绍了相应弹药火炮种类的研制、发展、型号、性能、用途等情况,因此具有很强的系统性、知识性、科普性和前沿性,不仅是广大读者学习现代弹药火炮科学知识的读物,也是各级图书馆珍藏的版本。
  • 似星辰似梦

    似星辰似梦

    于她而言,他是最耀眼的存在,全力奔跑,只为能与他比肩而立。“我不用你对我有多好,我只是想让你知道,这个世界上有个人会很爱很爱你。”“林染,我爱你”傲娇腹黑vs温暖软萌娱乐圈追星题材,小粉丝vs大明星---------------------“你不爱过生日是不是?”-“嗯”-“没关系啊,我们今天过,以后,我都提前一天给你过生日,好不好?”-“嗯”以后,许墨想,“以后”真的是个很好的词语。
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 冷情书生热娘子

    冷情书生热娘子

    叶暖暖一次次表白,却总是被不识趣的万年冰山男打回票。没关系,你不爱我,还有很多人在后面望眼欲穿——狂傲放浪的明月国太子桃花眼微勾,能把天下女子的魂儿都给勾了去,他却偏偏喜欢上这个一脸倔强,不知道是哪里来的小丫头。叶暖暖回首,发现冷心冷血的大冰块儿还是一副无动于衷的神色,她到底是要走还是留?
  • 帝君养妖话

    帝君养妖话

    “神尊,兔子跑了。”某神尊和颜悦色:“去凡间。”兔子正悠闲的逛着,看着眼前突然出现的男子,一脸懵逼……小家伙,不喜欢天界?当兔子五天下不来床的时候,某兔子再也忍不了:“我要回天界!”某神尊邪魅一笑:“好,我们回去再换个姿势。”
  • 执掌魔界

    执掌魔界

    废宅的穿越异界、由体育废学习废交际废总之各种废的宅男,变成掌控魔界的魔王的故事
  • 粉饰春意

    粉饰春意

    为了他,她不惜把自己的位置拱手让给别的女子,让别人代替她待在她身边,不惜得罪鬼族和神族两族,在他大婚之日被他一掌飞拍到南天门,被两族大兵逼下凡大战了,最终还是不敌人多势众,昏死在雪地里。五万年后,为贺他突破九重天晋升上神,六界之间跟他有一丝交情的都来祝贺。而跟他交情甚深的魔君还带上一位貌美如花的上神前来祝贺。再见到她时,她身上有魔界的封痕,听说是魔君收入麾下的徒弟,却是早在五万年前就飞升上神的仙姿出众之人,现在却是天宫里专门酿梅花酒的上神。自那之后天宫里流传着一个传说。有一位上神貌美如花,却有双重身份。有人说她笑起来就如春暖花开,但又有人说,自五万年前起她就不曾笑过。