The conversation went racing from one thing to another. The brothers began to argue hotly about a new girl who was visiting in town; whether she was pretty, how pretty she was, whether she was *****. To Claude this was like talk in a play. He had never heard a living person discussed and analysed thus before. He had never heard a family talk so much, or with anything like so much zest. Here there was none of the poisonous reticence he had always associated with family gatherings, nor the awkwardness of people sitting with their hands in their lap, facing each other, each one guarding his secret or his suspicion, while he hunted for a safe subject to talk about. Their fertility of phrase, too, astonished him; how could people find so much to say about one girl? To be sure, a good deal of it sounded far-fetched to him, but he sadly admitted that in such matters he was no judge. When they went back to the living room Julius began to pick out airs on his guitar, and the bearded brother sat down to read. Otto, the youngest, seeing a group of students passing the house, ran out on to the lawn and called them in,-- two boys, and a girl with red cheeks and a fur stole. Claude had made for a corner, and was perfectly content to be an on-looker, but Mrs. Erlich soon came and seated herself beside him. When the doors into the parlour were opened, she noticed his eyes straying to an engraving of Napoleon which hung over the piano, and made him go and look at it. She told him it was a rare engraving, and she showed him a portrait of her great-grandfather, who was an officer in Napoleon's army. To explain how this came about was a long story.
As she talked to Claude, Mrs. Erlich discovered that his eyes were not really pale, but only looked so because of his light lashes. They could say a great deal when they looked squarely into hers, and she liked what they said. She soon found out that he was discontented; how he hated the Temple school, and why his mother wished him to go there.
When the three who had been called in from the sidewalk took their leave, Claude rose also. They were evidently familiars of the house, and their careless exit, with a gay "Good-night, everybody!" gave him no practical suggestion as to what he ought to say or how he was to get out. Julius made things more difficult by telling him to sit down, as it wasn't time to go yet. But Mrs. Erlich said it was time; he would have a long ride out to Temple Place.
It was really very easy. She walked to the door with him and gave him his hat, patting his arm in a final way. "You will come often to see us. We are going to be friends." Her forehead, with its neat curtains of brown hair, came something below Claude's chin, and she peered up at him with that quaintly hopeful expression, as if--as if even he might turn out wonderfully well! Certainly, nobody had ever looked at him like that before.
"It's been lovely," he murmured to her, quite without embarrassment, and in happy unconsciousness he turned the knob and passed out through the glass door.
While the freight train was puffing slowly across the winter country, leaving a black trail suspended in the still air, Claude went over that experience minutely in his mind, as if he feared to lose something of it on approaching home. He could remember exactly how Mrs. Erlich and the boys had looked to him on that first night, could repeat almost word for word the conversation which had been so novel to him. Then he had supposed the Erlichs were rich people, but he found out afterwards that they were poor. The father was dead, and all the boys had to work, even those who were still in school. They merely knew how to live, he discovered, and spent their money on themselves, instead of on machines to do the work and machines to entertain people.
